FINTOK / FOUNDER STORIES

Ian Schrager.
The credits.

The photographs, film excerpts and music behind our three reels. These records identify creators, original source pages and the licenses recorded with the source material. Credits are public; no newsletter signup is needed to read them.

REEL 1

The IOU

Music & sound

“I Can Feel it Coming” by Kevin MacLeod · CC BY 4.0. Music is edited and mixed under narration.

Sound effects: Mixkit and Pixabay.

Photography & footage · open-license records

MaterialCredit & sourceLicense record
Colour FBI training filmFederal Bureau of Investigation, training film "Illegal Gambling: Numbers, Dice, Bookmaking" (National Archives ARC 12111, ca. 1960-1969), via Internet Archive; cut from 0:44-1:00
Source ↗
Public Domain Mark 1.0 (the Internet Archive item's licence field); the National Archives catalog entry reads "Restricted - Possibly" for copyright
Colour 1989 Federal Reserve Bank tour filmFederal Reserve Bank of St. Louis, "Where the Bankers Bank" (1989), via Internet Archive FedFlix; cut from 3:28-3:43
Source ↗
Public Domain (item metadata licenseurl: creativecommons.org/licenses/publicdomain/)
Colour 1989 Federal Reserve Bank tour filmFederal Reserve Bank of St. Louis, "Where the Bankers Bank" (1989), via Internet Archive FedFlix; cut from 4:27-4:47
Source ↗
Public Domain (item metadata licenseurl: creativecommons.org/licenses/publicdomain/)
Colour FBI training film, nightFederal Bureau of Investigation, training film "Illegal Gambling: Numbers, Dice, Bookmaking" (National Archives ARC 12111, ca. 1960-1969), via Internet Archive; cut from 10:42-10:54
Source ↗
Public Domain Mark 1.0 (the Internet Archive item's licence field); the National Archives catalog entry reads "Restricted - Possibly" for copyright
Colour 1974 law-enforcement training film"Forcible Entry: Knock and Notice" (1974), law-enforcement training film in the FBI motion-picture records, National Archives ARC 12139, via Internet Archive; cut from 15:54-16:10
Source ↗
Public Domain Mark 1.0 (the Internet Archive item's licence field); the National Archives catalog entry gives the use restriction as "Undetermined"
Black and white 1940 filmPrelinger Archives / Internet Archive; "Boy in Court" (Willard Pictures for the National Probation and Parole Association, 1940), cut from 2:27-2:38
Source ↗
Public Domain (item metadata licenseurl: creativecommons.org/licenses/publicdomain/)
A bank's drive-in teller windows, 1973Declan Haun, for the U.S. Environmental Protection Agency's DOCUMERICA program; U.S. National Archives and Records Administration (NARA 546432), via Wikimedia Commons
Source ↗
Public domain
Stacks of $100 billsMaklay62 (Pixabay, via Commons)
Source ↗
CC0
The federal courthouse at Foley Square, ManhattanCarol M. Highsmith (photographer), Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division, LC-DIG-highsm-55469; photographed as part of an assignment for the General Services Administration
Source ↗
No known restrictions on publication.
Ian Schrager, cut out (C2 Montréal, 2012)C2 Montréal (Flickr: c2mtl); the Flickr title credits the photo to Karel Chladek (© Karel Chladek - C2-MTL)
Source ↗
CC BY 2.0
The Delano, Miami BeachGzzz (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
The London EDITIONPhilafrenzy (own work), via Wikimedia Commons
Source 1 ↗ · Source 2 ↗
CC BY-SA 4.0
The Miami Beach EDITIONP. Hughes (own work), via Wikimedia Commons
Source ↗
CC BY 4.0
The Hudson Hotel, New YorkJim.henderson (own work), via Wikimedia Commons
Source ↗
CC BY 3.0
A promissory note, Boston, 1785U.S. National Archives and Records Administration (NARA 192919; series John F. Kennedy Personal Papers: Historical Documents Collection), via Wikimedia Commons
Source ↗
Public Domain
The Studio 54 logoStudio 49 (author per the file page; vector made from the Brands of the World EPS), via Wikimedia Commons
Source ↗
Public domain
The Mondrian, West HollywoodMinnaert (own work), via Wikimedia Commons
Source ↗
CC BY-SA 3.0
President Obama leaving the Oval Office, 20 January 2017Official White House Photo by Pete Souza (photograph P012017PS-0073), Records of the White House Photo Office (Obama Administration), Barack Obama Presidential Library, National Archives and Records Administration, NAID 167966145
Source ↗
Public Domain, Free of Known Copyright Restrictions
The Paramount Hotel, West 46th StreetEpicgenius (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
PUBLIC, 215 Chrystie Street, New YorkTdorante10 (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
The Royalton, 44 West 44th StreetEpicgenius (own work), via Wikimedia Commons
Source 1 ↗ · Source 2 ↗
CC BY-SA 4.0
The Sanderson, LondonRafał Drewnowski (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
Frank Sinatra, about 1957Macfadden Publications, New York (TV-Radio Mirror, 1957; scan on the Internet Archive, radiotvmir00mac page 28), via Wikimedia Commons; photographer not named
Source ↗
Public domain
St Martins Lane, LondonDoyle of London (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
The Studio 54 building at 254 West 54th Street, 2019Ajay Suresh from New York, NY, USA (Studio 54), via Wikimedia Commons
Source ↗
CC BY 2.0
The Studio 54 building, 2026Oleg Yunakov (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
Times Square at night, 1973Edmund L. Mitchell (photographer), Edmund L. Mitchell Collection, Boston Public Library via Digital Commonwealth (gift of Richard and Kellie Gutman, 2017); copy on Wikimedia Commons
Source ↗
No known copyright restrictions.
Brass stanchions and red velvet ropesW.carter (own work), via Wikimedia Commons
Source ↗
CC BY-SA 3.0

Photography & footage · other credited sources

MaterialCredit & sourceLicense record
Colour 1962 stock footage, nightPrelinger Archives / Internet Archive; "Vista Stock Shots: Entertainment" (San Francisco stock footage, 1962), cut from 9:55-10:07
Source ↗
No open license recorded
Colour 1962 stock footage, nightPrelinger Archives / Internet Archive; "Vista Stock Shots: Entertainment" (San Francisco stock footage, 1962), cut from 7:45-7:58
Source ↗
No open license recorded
Black and white 1956 filmPrelinger Archives / Internet Archive; "Our Prisons" (1956, made for Kansas Governor F. Hall), cut from 5:33-5:45
Source ↗
No open license recorded
Colour 1966 home movie, daylight, not the 1980sPrelinger Archives home movies / Internet Archive; "Home movie: 098414: 1966 Times Square & around New York", cut from 1:56-2:07
Source ↗
No open license recorded
Black and white silent 1940s street filmPrelinger Archives / Internet Archive; "Park Avenue" (unidentified 1940s silent film of Park Avenue, New York), cut from 1:01-1:17
Source ↗
No open license recorded
Ian Schrager, cut out (2026)Daniel Prakopcyk for The Hollywood Reporter (caption: Ian Schrager, Photographed by Daniel Prakopcyk)
Source ↗
No open license recorded
The crowd outside Studio 54 in the club yearsIan Schrager Company website, home page image file studio54-1576268000124.jpg; no photographer or date is given on the page
Source ↗
No open license recorded
Steve Rubell and Ian Schrager at the doors of Studio 54, 14 December 1978Photofest (figure credit on the NYLON page: Photo courtesy of Photofest; Zeitgeist Films press caption: Credit: Photofest), as published by NYLON
Source ↗
No open license recorded
The New York EDITION's clock towerEDITION Hotels (hotel's own photograph, file 250611_EDT_ClockExt_01_horizontal.jpg on editionhotels.com; no photographer credited)
Source ↗
No open license recorded
The former Morgans Hotel building at its corner, 2020CityRealty (caption on the page: 237 Madison Avenue in center (CItyRealty)), in the CityRealty feature Morgans Hotel: World's first boutique hotel by Ian Schrager awaits reopening as luxury micro-apartments, 7 May 2020
Source ↗
No open license recorded
A Morgans Hotel room by Andrée PutmanDezeen, article First boutique hotel Morgans closes to become micro condos (28 June 2017); the page gives the image no credit line
Source ↗
No open license recorded
The former Morgans Hotel building, 237 Madison Avenue, 2020CityRealty, one of four unnumbered gallery photographs on the same CityRealty feature page (the page prints no credit under the gallery; the lead photograph is credited CityRealty)
Source ↗
No open license recorded
Steve Rubell with Michael Jackson in the Studio 54 DJ boothNo photographer credit on the W Magazine slide (source file name reads Turiak_MJ-Steve-HR_080916); the gallery shows pictures from the Rizzoli book Studio 54, edited by Ian Schrager
Source ↗
No open license recorded
Steve Rubell with Diana Ross, about 1979Photo by Oscar Abolafia/TPLP/Getty Images (credit on slide 5 of 12 of the Dazed gallery Studio 54: Photos of New York's OG celebrity coke den)
Source ↗
No open license recorded
Ian Schrager at Studio 54, 1978Mary DiBiase/NY Daily News via Getty Images (credit line under the photo on the Hollywood Reporter page; Getty ID 496715190)
Source ↗
No open license recorded
Ian Schrager in 2026Luca Bertea for Interview Magazine (page byline: Photographed by Luca Bertea, May 28, 2026)
Source ↗
No open license recorded

Additional clips

MaterialCredit & sourceLicense record
The Untouchables (1987), 1.9 seconds cut, under "V1: that Steve brags to a reporter that only the Mafia makes more money" · Film reactionshttps://www.dailymotion.com/video/xuv9jq
Source ↗
Studio film, not licensed
The Untouchables (1987), 2.4 seconds cut, under "V1: and they find garbage bags of cash hidden in the ceiling" · Film reactionshttps://www.dailymotion.com/video/xuv9jq
Source ↗
Studio film, not licensed
The Shawshank Redemption (1994), 1.9 seconds cut, under "V1: and in 1980 they go to prison" · Film reactionshttps://www.dailymotion.com/video/x5h9edz
Source ↗
Studio film, not licensed
Rocky (1976), 2.8 seconds cut, under "V1: They take it." · Film reactionshttps://www.dailymotion.com/video/x7yyez0
Source ↗
Studio film, not licensed

REEL 2

The boutique hotel

Music & sound

“Betrayal” by Lee Rosevere · CC BY 4.0. Music is edited and mixed under narration.

Sound effects: Mixkit and Pixabay.

Photography & footage · open-license records

MaterialCredit & sourceLicense record
Colour FBI training filmFederal Bureau of Investigation, training film "Illegal Gambling: Numbers, Dice, Bookmaking" (National Archives ARC 12111, ca. 1960-1969), via Internet Archive; cut from 0:44-1:00
Source ↗
Public Domain Mark 1.0 (the Internet Archive item's licence field); the National Archives catalog entry reads "Restricted - Possibly" for copyright
Black and white 1940 filmPrelinger Archives / Internet Archive; "Boy in Court" (Willard Pictures for the National Probation and Parole Association, 1940), cut from 2:27-2:38
Source ↗
Public Domain (item metadata licenseurl: creativecommons.org/licenses/publicdomain/)
A small clothes boutiqueMutney (own work), via Wikimedia Commons
Source ↗
CC0
A boutique on a Paris streetDacuerdo (own work), via Wikimedia Commons
Source ↗
CC0
Stacks of $100 billsMaklay62 (Pixabay, via Commons)
Source ↗
CC0
The federal courthouse at Foley Square, ManhattanCarol M. Highsmith (photographer), Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division, LC-DIG-highsm-55469; photographed as part of an assignment for the General Services Administration
Source ↗
No known restrictions on publication.
Ian Schrager, cut out (C2 Montréal, 2012)C2 Montréal (Flickr: c2mtl); the Flickr title credits the photo to Karel Chladek (© Karel Chladek - C2-MTL)
Source ↗
CC BY 2.0
The Delano, Miami BeachGzzz (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
A mirror ballSanteri Viinamaki (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
The London EDITION, Berners StreetPhilafrenzy (own work), via Wikimedia Commons
Source 1 ↗ · Source 2 ↗
CC BY-SA 4.0
The London EDITIONPhilafrenzy (own work), via Wikimedia Commons
Source 1 ↗ · Source 2 ↗
CC BY-SA 4.0
The Miami Beach EDITIONP. Hughes (own work), via Wikimedia Commons
Source ↗
CC BY 4.0
20 Times Square, home of The Times Square EDITION83136374@N05 (the Commons author field, a Flickr user id; the file is filed under 2026 New York City photographs by ajay suresh), via Wikimedia Commons
Source ↗
CC BY 4.0
City of Chicago liquor licences, 1935Stephen Hogan from Chicago, United States (Flickr photo 27232812156), via Wikimedia Commons
Source ↗
CC BY 2.0
The Marriott International logoMarriott International (author per the file page: Marriott International, www.marriott.com), via Wikimedia Commons
Source ↗
Public domain
The Studio 54 logoStudio 49 (author per the file page; vector made from the Brands of the World EPS), via Wikimedia Commons
Source ↗
Public domain
Macy's Herald Square, 1984TedQuackenbush (own work), via Wikimedia Commons
Source ↗
CC BY-SA 3.0
A Miami Beach hotel, 1990John Margolies (photographer), John Margolies Roadside America photograph archive (1972-2008), Library of Congress, Prints and Photographs Division, LC-MA05-9285
Source ↗
No known restrictions on publication. For more information, see "John Margolies Roadside America Photograph Archive - Rights and Restrictions Information" https://www.loc.gov/rr/print/res/723_marg.html
The Paramount Hotel, West 46th StreetEpicgenius (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
Jail cell barsRhododendrites (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
The Royalton, 44 West 44th StreetEpicgenius (own work), via Wikimedia Commons
Source 1 ↗ · Source 2 ↗
CC BY-SA 4.0
Empty shop shelvesPhillip Pessar (Flickr: southbeachcars, https://www.flickr.com/photos/southbeachcars/53077653230/), via Wikimedia Commons
Source ↗
CC BY 2.0
The Studio 54 building at 254 West 54th Street, 2019Ajay Suresh from New York, NY, USA (Studio 54), via Wikimedia Commons
Source ↗
CC BY 2.0
Times Square at night, 1973Edmund L. Mitchell (photographer), Edmund L. Mitchell Collection, Boston Public Library via Digital Commonwealth (gift of Richard and Kellie Gutman, 2017); copy on Wikimedia Commons
Source ↗
No known copyright restrictions.

Photography & footage · other credited sources

MaterialCredit & sourceLicense record
Colour 1962 stock footage, nightPrelinger Archives / Internet Archive; "Vista Stock Shots: Entertainment" (San Francisco stock footage, 1962), cut from 9:55-10:07
Source ↗
No open license recorded
Black and white 1956 filmPrelinger Archives / Internet Archive; "Our Prisons" (1956, made for Kansas Governor F. Hall), cut from 5:33-5:45
Source ↗
No open license recorded
Black and white silent 1940s street filmPrelinger Archives / Internet Archive; "Park Avenue" (unidentified 1940s silent film of Park Avenue, New York), cut from 1:01-1:17
Source ↗
No open license recorded
Colour 1965 travelogue shot from a moving car on Miami BeachPrelinger Archives / Internet Archive; "Florida 1965" (Henry Charles Fleischer travelogue), cut from 6:55-7:12
Source ↗
No open license recorded
Ian Schrager, cut out (2026)Daniel Prakopcyk for The Hollywood Reporter (caption: Ian Schrager, Photographed by Daniel Prakopcyk)
Source ↗
No open license recorded
The crowd outside Studio 54 in the club yearsIan Schrager Company website, home page image file studio54-1576268000124.jpg; no photographer or date is given on the page
Source ↗
No open license recorded
Steve Rubell and Ian Schrager at the doors of Studio 54, 14 December 1978Photofest (figure credit on the NYLON page: Photo courtesy of Photofest; Zeitgeist Films press caption: Credit: Photofest), as published by NYLON
Source ↗
No open license recorded
The New York EDITION's clock towerEDITION Hotels (hotel's own photograph, file 250611_EDT_ClockExt_01_horizontal.jpg on editionhotels.com; no photographer credited)
Source ↗
No open license recorded
The EDITION logoEDITION Hotels (file edition-text-logo-black.png in the theme folder of editionhotels.com); EDITION is a Marriott International brand
Source ↗
No open license recorded
The former Morgans Hotel building at its corner, 2020CityRealty (caption on the page: 237 Madison Avenue in center (CItyRealty)), in the CityRealty feature Morgans Hotel: World's first boutique hotel by Ian Schrager awaits reopening as luxury micro-apartments, 7 May 2020
Source ↗
No open license recorded
A Morgans Hotel room by Andrée PutmanDezeen, article First boutique hotel Morgans closes to become micro condos (28 June 2017); the page gives the image no credit line
Source ↗
No open license recorded
The former Morgans Hotel building, 237 Madison Avenue, 2020CityRealty, one of four unnumbered gallery photographs on the same CityRealty feature page (the page prints no credit under the gallery; the lead photograph is credited CityRealty)
Source ↗
No open license recorded
Steve Rubell, cut out (1978)Photofest (figure credit on the NYLON page: Photo courtesy of Photofest; Zeitgeist Films press caption: Credit: Photofest), as published by NYLON
Source ↗
No open license recorded
Steve Rubell, cut out (about 1979)Photo by Oscar Abolafia/TPLP/Getty Images (credit on slide 5 of 12 of the Dazed gallery Studio 54: Photos of New York's OG celebrity coke den)
Source ↗
No open license recorded
The Studio 54 dance floor, 1978Sonia Moskowitz / Getty Images (Getty Images 579190712), as published by Grazia USA in How Studio 54 Came Crashing Down: Inside the Final Days (8 September 2022)
Source ↗
No open license recorded
Ian Schrager, cut out (1978)Photofest (figure credit on the NYLON page: Photo courtesy of Photofest; Zeitgeist Films press caption: Credit: Photofest), as published by NYLON
Source ↗
No open license recorded
Ian Schrager, cut out for a scene (2026)Daniel Prakopcyk for The Hollywood Reporter (caption: Ian Schrager, Photographed by Daniel Prakopcyk)
Source ↗
No open license recorded
The Waikiki EDITION, 2010Cindy Ellen Russell / Honolulu Star-Advertiser (crussell@staradvertiser.com, the credit printed on the page), in the article Waikiki Edition opens by Allison Schaefers, 5 October 2010
Source ↗
No open license recorded

REEL 3

The partnership

Music & sound

“Puzzle Pieces” by Lee Rosevere · CC BY 3.0. Music is edited and mixed under narration.

Sound effects: Mixkit and Pixabay.

Photography & footage · open-license records

MaterialCredit & sourceLicense record
Colour FBI training filmFederal Bureau of Investigation, training film "Illegal Gambling: Numbers, Dice, Bookmaking" (National Archives ARC 12111, ca. 1960-1969), via Internet Archive; cut from 0:44-1:00
Source ↗
Public Domain Mark 1.0 (the Internet Archive item's licence field); the National Archives catalog entry reads "Restricted - Possibly" for copyright
Colour 1989 Federal Reserve Bank tour filmFederal Reserve Bank of St. Louis, "Where the Bankers Bank" (1989), via Internet Archive FedFlix; cut from 3:28-3:43
Source ↗
Public Domain (item metadata licenseurl: creativecommons.org/licenses/publicdomain/)
Colour FBI training film, nightFederal Bureau of Investigation, training film "Illegal Gambling: Numbers, Dice, Bookmaking" (National Archives ARC 12111, ca. 1960-1969), via Internet Archive; cut from 10:42-10:54
Source ↗
Public Domain Mark 1.0 (the Internet Archive item's licence field); the National Archives catalog entry reads "Restricted - Possibly" for copyright
Colour 1974 law-enforcement training film"Forcible Entry: Knock and Notice" (1974), law-enforcement training film in the FBI motion-picture records, National Archives ARC 12139, via Internet Archive; cut from 15:54-16:10
Source ↗
Public Domain Mark 1.0 (the Internet Archive item's licence field); the National Archives catalog entry gives the use restriction as "Undetermined"
Black and white 1940 filmPrelinger Archives / Internet Archive; "Boy in Court" (Willard Pictures for the National Probation and Parole Association, 1940), cut from 2:27-2:38
Source ↗
Public Domain (item metadata licenseurl: creativecommons.org/licenses/publicdomain/)
Colour documentary footage of a state prison, ca. 1970, green-tinted printNational Archives and Records Administration, Records of the Bureau of Prisons (local identifier 129-BOP-29, ARC 567645), "Shotgun Joe, ca. 1970" (filmed at the Connecticut Correctional Institution, Cheshire), via Internet Archive FedFlix; cut from 13:00-13:16
Source ↗
CC0 1.0 (licenseurl http://creativecommons.org/publicdomain/zero/1.0/ on the Internet Archive item)
Stacks of $100 billsMaklay62 (Pixabay, via Commons)
Source ↗
CC0
The federal courthouse at Foley Square, ManhattanCarol M. Highsmith (photographer), Carol M. Highsmith Archive, Library of Congress, Prints and Photographs Division, LC-DIG-highsm-55469; photographed as part of an assignment for the General Services Administration
Source ↗
No known restrictions on publication.
Ian Schrager, cut out (C2 Montréal, 2012)C2 Montréal (Flickr: c2mtl); the Flickr title credits the photo to Karel Chladek (© Karel Chladek - C2-MTL)
Source ↗
CC BY 2.0
The Studio 54 logoStudio 49 (author per the file page; vector made from the Brands of the World EPS), via Wikimedia Commons
Source ↗
Public domain
President Obama leaving the Oval Office, 20 January 2017Official White House Photo by Pete Souza (photograph P012017PS-0073), Records of the White House Photo Office (Obama Administration), Barack Obama Presidential Library, National Archives and Records Administration, NAID 167966145
Source ↗
Public Domain, Free of Known Copyright Restrictions
The Paramount Hotel lobbyNikolas Koenig (Paramount Hotel), via Wikimedia Commons
Source ↗
CC BY-SA 3.0
The Paramount Hotel, West 46th StreetEpicgenius (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
The entrance of PUBLIC, New YorkEden, Janine and Jim (Flickr: edenpictures), via Flickr
Source ↗
CC BY 2.0
PUBLIC, 215 Chrystie Street, New YorkTdorante10 (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
The Royalton, 44 West 44th StreetEpicgenius (own work), via Wikimedia Commons
Source 1 ↗ · Source 2 ↗
CC BY-SA 4.0
The Studio 54 building at 254 West 54th Street, 2019Ajay Suresh from New York, NY, USA (Studio 54), via Wikimedia Commons
Source ↗
CC BY 2.0
The Studio 54 building, 2026Oleg Yunakov (own work), via Wikimedia Commons
Source ↗
CC BY-SA 4.0
The Hall of Languages from the east, 1962Historic American Buildings Survey, Library of Congress Prints and Photographs Division, HABS NY,34-SYRA,25B--3 (survey HABS NY-5446, whose record names Jack E. Boucher as photographer)
Source ↗
No known restrictions on images made by the U.S. Government; images copied from other sources may be restricted
The Hall of Languages, Syracuse University, 1962Historic American Buildings Survey, Library of Congress Prints and Photographs Division, HABS NY,34-SYRA,25B--1 (survey HABS NY-5446, whose record names Jack E. Boucher as photographer)
Source ↗
No known restrictions on images made by the U.S. Government; images copied from other sources may be restricted
Brass stanchions and red velvet ropesW.carter (own work), via Wikimedia Commons
Source ↗
CC BY-SA 3.0

Photography & footage · other credited sources

MaterialCredit & sourceLicense record
Ian Schrager, cut out (2026)Daniel Prakopcyk for The Hollywood Reporter (caption: Ian Schrager, Photographed by Daniel Prakopcyk)
Source ↗
No open license recorded
The crowd outside Studio 54 in the club yearsIan Schrager Company website, home page image file studio54-1576268000124.jpg; no photographer or date is given on the page
Source ↗
No open license recorded
Steve Rubell and Ian Schrager at the doors of Studio 54, 14 December 1978Photofest (figure credit on the NYLON page: Photo courtesy of Photofest; Zeitgeist Films press caption: Credit: Photofest), as published by NYLON
Source ↗
No open license recorded
The former Morgans Hotel building, 237 Madison Avenue, 2020CityRealty, one of four unnumbered gallery photographs on the same CityRealty feature page (the page prints no credit under the gallery; the lead photograph is credited CityRealty)
Source ↗
No open license recorded
Steve Rubell with Michael Jackson in the Studio 54 DJ boothNo photographer credit on the W Magazine slide (source file name reads Turiak_MJ-Steve-HR_080916); the gallery shows pictures from the Rizzoli book Studio 54, edited by Ian Schrager
Source ↗
No open license recorded
Steve Rubell with Diana Ross, about 1979Photo by Oscar Abolafia/TPLP/Getty Images (credit on slide 5 of 12 of the Dazed gallery Studio 54: Photos of New York's OG celebrity coke den)
Source ↗
No open license recorded
Guests on a Studio 54 banquette, 1978Sonia Moskowitz / Getty Images (Getty Images 579116106), as published by Grazia USA in How Studio 54 Came Crashing Down: Inside the Final Days (8 September 2022)
Source ↗
No open license recorded
The Studio 54 dance floor, 1978Sonia Moskowitz / Getty Images (Getty Images 579190712), as published by Grazia USA in How Studio 54 Came Crashing Down: Inside the Final Days (8 September 2022)
Source ↗
No open license recorded
Ian Schrager at Studio 54, 1978Mary DiBiase/NY Daily News via Getty Images (credit line under the photo on the Hollywood Reporter page; Getty ID 496715190)
Source ↗
No open license recorded
Ian Schrager in 2026Luca Bertea for Interview Magazine (page byline: Photographed by Luca Bertea, May 28, 2026)
Source ↗
No open license recorded
Ian Schrager, 2026Daniel Prakopcyk for The Hollywood Reporter (caption: Ian Schrager, Photographed by Daniel Prakopcyk)
Source ↗
No open license recorded

Additional clips

MaterialCredit & sourceLicense record
Schrager on Office Of, February 2026 (b/med1, med2, cu1, cu2) · His own wordsTikTok, @officeof clips of 4 and 6 February 2026
Source 1 ↗ · Source 2 ↗ · Source 3 ↗ · Source 4 ↗
Programme clip, not licensed
Capture of a web page with "His first client: Steve Rubell." marked · His own wordshttps://www.vanityfair.com/news/1996/03/studio-54-nightclub-new-york-city
Source ↗
Screenshot of a published page
Capture of a web page with "Rubell and Schrager were jailed Feb. 4, 1980" marked · His own wordshttps://web.archive.org/web/20251207012452/https://www.upi.com/Archives/1981/01/31/Two-from-Studio-54-paroled-from-jail/7896349765200/
Source ↗
Screenshot of a published page
Capture of a web page with "The Paramount was under construction when Rubell died, at age 45" marked · His own wordshttps://www.vanityfair.com/news/1996/03/studio-54-nightclub-new-york-city
Source ↗
Screenshot of a published page
Capture of a web page with "Ian Schrager" marked · His own wordshttps://www.justice.gov/pardon/pardons-granted-president-barack-h-obama-2009-2017
Source ↗
Screenshot of a published page

Still images are cropped, resized or isolated from their backgrounds for the vertical edit; footage and music are excerpted, rearranged and mixed with narration, captions and other material. Source credits identify the original works. Where no open license is recorded, attribution does not represent permission or a transfer of rights. An archive’s public-domain label is reported alongside any conflicting rights advisory in its original record.

Article photography has separate, image-specific credits in the full story’s public photo credits.